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The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters.
The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera!
It's a perfect solution for broadcasters because it uses the lenses and batteries you already own!
You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. This means it's compatible with all video software and broadcast media management systems.
You can even change the lens mount! No other broadcast camera is so flexible!
The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.
URSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.
URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true "Hollywood" quality digital film camera.
The large 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcast!
The 6K sensor features a resolution of 6144 x 3456 so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use.
Then if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film!
With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for color correction. Using digital film in broadcast is a revolution in image quality!
The new URSA Broadcast features incredible low light performance so you can shoot using ambient light or even under moonlight!
In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor.
The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments.
The gain can be set via a camera switch, the LCD menu or remotely using the SDI remote camera control protocol.
The URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor.
The B4 lens mount lets you use modern Ultra HD lenses or lower cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at low cost! B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster!
You also get full electronic lens control to adjust focus, iris and zoom using the camera’s controls, or remotely! Plus if you want to use alternative lenses, you can change the mount to PL, EF and more!
URSA Broadcast G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera.
The ¼, 1/16th and 1/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angle, in a wider range of situations.
The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus the filter status on the LCD can be displayed as a fraction, number, or stop reduction!
URSA Broadcast is designed to work with standard file formats that are used by all broadcast systems and editing software.
You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality.
Plus you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.
|ISO-känslighet||400-3200 L: 100 - H: 25600|
|Videoupplösning||Blackmagic RAW: 6144 x 3456 (6K) up to 50 fps / 6144 x 2560 (6K 2.4:1) up to 60 fps / 5376 x 3024 (5.3K 16:9) up to 60 fps / 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps / 3840 x 2160 (Ultra HD) up to 60 fps / 1920 x 1080 (HD) up to 150 fps / ProRes: 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor / 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor 1920 x 1080 (HD) up to 120 fps scaled from 2.7K windowed sensor / 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor / 1920 x 1080 (HD) up to 50 fps scaled from full sensor / H.265: 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor / 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor / H.264: 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor / 1920 x 1080 (HD) up to 50 fps scaled from full sensor|
|Videoformat||Apple ProRes 422 HQ, Apple ProRes 422, H.265 SDI (10-bit 4:2:2), H.265 High (10-bit 4:2:0), H.265 Medium (10-bit 4:2:0), H.265 Low (10-bit 4:2:0), H.264 SDI (10-bit 4:2:2), H.264 High (8-bit 4:2:0), H.264 Medium (8-bit 4:2:0), H.264 Low (8-bit 4:2:0), Blackmagic RAW Constant Bitrate 3:1, Blackmagic RAW Constant Bitrate 5:1, Blackmagic RAW Constant Bitrate 8:1, Blackmagic RAW Constant Bitrate 12:1, Blackmagic RAW Constant Quality Q0, Blackmagic RAW Constant Quality Q1, Blackmagic RAW Constant Quality Q3, Blackmagic RAW Constant Quality Q5|
|Inspelningshastighet||6K 60fps, FHD 150fps|