RED® RANGER HELIUM V-LOCK PL MOUNT

710-0330
424 575,00 SEK OutOfStock

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Paul Petropoulos
paul@goecker.se
0840 83 82 59
Stockholm

Erik Landsberg
erik@goecker.se
0705 443 444
Stockholm

Tomas Hedenström
tomas@goecker.se
070 586 4099
Stockholm

Daniel Nilsson
daniel@goecker.se
0733 12 13 41
Malmö

Beskrivning

RED's RANGER is an all-in-one camera system that features an integrated and less complex platform for filmmakers. The standardized camera body weighs around 7.5 pounds (depending on battery), supports wide input voltage (11.5V to 32V), and boasts more independent SDI and AUX power outputs as well as an integrated XLR audio input. It also has a larger fan for quieter and more efficient temperature management.

Features like integrated I/O's, 24V power out, shimmed PL Mount and improved thermal performance give users peace of mind in any shooting environment. The camera will ship complete with necessary rigging and support for improved set-up time.

RED RANGER is available with three difference sensor options: MONSTRO 8K VV, HELIUM 8K S35, and GEMINI 5K S35. All three sensors deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film - up to 17x more resolution than HD—and over 4x more than 4K. For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows.

 

RED RANGER WITH HELIUM 8K S35 SPECS:

SENSOR TYPE

HELIUM® 35.4 Megapixel CMOS

EFFECTIVE PIXELS

8192 x 4320

SENSOR SIZE

29.90 mm x 15.77 mm (Diagonal: 33.80 mm)

DYNAMIC RANGE

16.5+ stops

MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES 1

60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)
60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)
75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

PLAYBACK FRAME RATES
(PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS
RANGE FROM 2:1 UP TO 22:11

5:1 REDCODE at 8K Full Format (8192 x 4320) and 24 fps

12:1 REDCODE at 8K Full Format (8192 x 4320) and 60 fps

2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps

3:1 REDCODE at 4K Full Format (4096 x 2160) and 60 fps

REDCODE RAW
ACQUISITION FORMATS2

8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHR HQ and SQ at 2K (2048 × 1080) 8-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION

Aluminum Alloy

WEIGHT

7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount)
7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

AUDIO

Integrated dual channel digital stereo microphones,
uncompressed, 24-bit 48 kHz
Integrated dual channel 5-pin XLR
with preamplifiers, uncompressed, 24-bit 48 kHz

     

REMOTE CONTROL

External R.C.P. WiFi antenna with SMA connector Ethernet,
RS232, and GPI Trigger

     

MONITOR OUTPUTS

3G-SDI (HD-SDI) and MON-1
1080p RGB or 4:2:2, 720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

     

MONITOR OPTIONS

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.

     

REDCINE-X PRO
DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

     

VIDEO EDITING SOFTWARE
COMPATIBILITY4

Adobe Premiere Pro, AVID Media Composer,
DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

     

 

Specifikationer

Tillverkare RED
Kategori Video kamera
Objektivfäste PL (Possitive Lock)
Effektivt antal pixlar 35.4 MP
Batteri V-Mount
Bredd 16 CM
Djup 20.6 CM
Höjd 15.3 CM
Vikt 3400 G
Videoformat REDCODE RAW, ProRes
Inspelningshastighet 240 fps @ 2K