750-0098
Köpenhamn
B4002.1066
B4002.1054
B4002.1050
790-0689
790-0692
720-0060
720-0061
Köpenhamn
740-0053
730-0029
740-0054
750-0097
790-0688
Köpenhamn
EASYRIGMINIMAX
Köpenhamn
Stockholm
S3696
Fjärrlagring
SPRIG124230
Stockholm
SPRIG124214
Köpenhamn
Stockholm
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ZILR12G
ZILR12G1M
Stockholm
Köpenhamn
ZILR12G2M
Stockholm
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SH-12G24
790-0738
DZORETROVESPID
Köpenhamn
DZOT189029M
DZOT6528029M
DZOTANGOBUNDLE
DZOPICTOR4B
DZOPICTOR4W
DZOPICTOR3BUNDLE
AB-AVP2T0CFXBMK2
Fjärrlagring
AB-AVP660CFXBMK2
Fjärrlagring
AB-AVP1T3CFXBMK2
Fjärrlagring
CANDRF1535
Köpenhamn
Stockholm
CANDRF2470
Köpenhamn
Stockholm
CANDRF24105
Stockholm
Köpenhamn
CANDRF2870
Stockholm
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CANDRF70200
Stockholm
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CANDRF100500
Stockholm
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CANDRF5012
Köpenhamn
Stockholm
CANDRF85DS
Köpenhamn
HOL121180
Köpenhamn
VAX118116
V-RAPTOR™ 8K S35 is another addition into the RED® DSMC3™ generation of cameras. Building on the same architecture of the V-RAPTOR™ 8K VV, the V-RAPTOR 8K S35 offers a new shooting format while leveraging the improvements in color science and performance of its larger 8K VV predecessor.
Featuring an 8K sensor optimized for Super 35mm lenses, V-RAPTOR 8K S35 offers filmmakers a unique benefit of using the versatile range of Super 35mm lenses while still capturing in the smooth true-to-life detail that 8K resolution provides. Create stunning slow-motion imagery at 120 fps using the full 8K Super35mm field of view, or up to 600 fps at 2K.
With over 16.5 stops of dynamic range, V-RAPTOR 8K S35 is ready to capture stunning imagery in all types of environments. V-RAPTOR™ 8K S35 will also continue to feature RED’s proprietary REDCODE® RAW codec, allowing users to capture 16-bit RAW, and leverage RED’s latest IPP2 workflow and color management.
The 8K S35 sensor sits inside the same camera body as V-RAPTOR 8K VV, offering the same horsepower and flexibility filmmakers have come to rely on. The V-RAPTOR features a modernized platform in an amazingly compact package weighing in at barely over 4 lbs. With two 4K 12G-SDI outputs, XLR audio and phantom power via breakout adapter, and 1080p livestream, this system can handle most anything a shooter can throw at it.
Additionally, the V-RAPTOR and the DSMC3 platform features advanced connectivity solutions, which enable applications such as RED Connect for 8K R3D cinematic live streaming and remote record, remote control and monitoring, in-camera Frame.io integration, AWS direct upload, and more.
The Super35mm format is still ideal for many markets over Large Format. While traditional motion picture productions may prefer the aesthetic of the “Large Format Look,” for many applications large format may not be as practical.
Wildlife Filmmakers are often hundreds of feet from their subjects and in remote or barely accessible locations. This requires a compact kit and ability to shoot in Super 35mm format, allowing for wide range zoom lenses, like the Canon 50-1000mm, with the size and weight to remain flexible for any scenario or environment. The V-RAPTOR 8K S35 unlocks all of this, along with capturing archival-quality 8K resolution inside of the compact and powerful V-RAPTOR camera body, so filmmakers can capture breathtaking images anywhere on the globe.
Live event broadcasting continues its trend of blending cinematic imagery into its final delivery.
Whether these productions are looking to highlight shallower depth of field, slow motion playback, or higher resolution, the V-RAPTOR 8K S35 provides all of the power of RED’s cinematic image quality in a format that supports the wide range of lenses required for live event coverage.
Live 8K workflows using RED Connect unleashes the power of 8K in these environments, allowing for different framing to be pulled from a single camera position and controlled downstream for a more immersive production.
Lenses are as critical of a decision for a cinematographer as the camera itself. When the lenses that are needed to tell the story do not cover large format, filmmakers have the choice of either using V-RAPTOR 8K VV at 6K Super 35mm, or now V-RAPTOR 8K S35 for when the full 8K resolution is needed.
By capturing the full 35 megapixels of 8K compared to the 20 megapixels of 6K, filmmakers maintain the full flexibility of 8K image capture while in the Super 35mm format.
| Tillverkare | RED |
| Kategori | Video kamera |
| Objektivfäste | RF (Canon) |
| Antal pixlar | 35.4 MP |
| Autofokus | Ja |
| Sensorstorlek | Super 35 |
| Batteri | V-Mount |
| LCD-storlek | 2.4 " |
| Lagringsmedie | CFexpress Type B |
| Videoupplösning | 120 fps at 8K 17:9 (8192 x 4320) 150 fps at 8K 2.4:1 (8192 x 3456) 140 fps at 7K 17:9 (7168 x 3780) 175 fps at 7K 2.4:1 (7168 x 3024) 160 fps at 6K 17:9 (6144 x 3240) 200 fps at 6K 2.4:1 (6144 x 2592) 192 fps at 5K 17:9 (5120 x 2700) 240 fps at 5K 2.4:1 (5120 x 2160) 240 fps at 4K 17:9 (4096 x 2160) 300 fps at 4K 2.4:1 (4096 x 1728) 320 fps at 3K 17:9 (3072 x 1620) 400 fps at 3K 2.4:1 (3072 x 1296) 480 fps at 2K 17:9 (2048 x 1080) 600 fps at 2K 2.4:1 (2048 x 864) |
| Videoformat | REDCODE RAW REDCODE HQ, REDCODE MQ REDCODE LQ Apple ProRes 4444 XQ Apple ProRes 4444 Apple ProRes 422 HQ Apple ProRes 422 Apple ProRes 422 LT |
| Mikrofoningång | Ja |
| Hörlursuttag | Ja |
| USB-ingång | USB-C (3.1) |
| Inspelningshastighet | 150 fps 8K, 175 fps 7K, 200 fps 6K, 240 fps 5K, 300 fps 4K, 400 fps 3K, 600 fps 2K |
| Inbyggd mikrofon | Ja |
